Prior to beginning work on Star Trek Into Darkness, J.J. Abrams proposed a challenge to his Post Production Supervisor, Ben Rosenblatt. He wanted to be able to screen a rough cut of the film at any given time, complete with temp audio, instead of having to lock a version of it weeks in advance in order to create a temp sound edit and mix suitable for screening. His team, including Sound Designer & Re-Recording Mixer Will Files and Assistant Editors Evan Schiff, Matt Evans and Robby Stambler not only solved this problem, but also pioneered a new workflow in doing so.

via Inter BEE 2013: Groundbreaking Workflows for Star Trek Into Darkness.